Trailers Online Youtube: Aventures, Peplum, Fantasy, Pirates, Swordbucklers-Part 2

She Gods of Shark Reef (1958)


Sword of Sherwood Forest (1960)


The Secret Seven 1964 - Alberto De Martino


Journey to the Lost City-1959-Fritz Lang


Sandokan the Great 1963 - Umberto Lenzi

Trailers Online Youtube: Aventures, Peplum, Fantasy, Pirates, Swordbucklers

Morgan the Pirate (1961)
Morgan il pirata with Steve Reeves. Trailer Recorded from an old VHS.


The Brigand of Kandahar (1965)
Recorded from an old VHS


The Slave-The Son of Spartacus 1963
Recorded from an old VHS


Sign of the Gladiator 1959


The Devil-Ship Pirates 1964


Sabu and the Magic Ring 1957


The Sword and the Dragon-Ilya Muromets 1956

The Evil Dead - Dead Good Marketing [Sam Raimi]

dvd extra about all the "marketing" behind The Evil Dead. With Sam Raimi, Bruce Campbell

Alfred Hitchcock Trailers: Notorious 1946-Rebecca 1940-Saboteur 1942-The Wrong Man

The Wrong Man
Manny Ballestero is an honest hardworking musician at New York's Stork Club. When his wife needs money for dental treatment, Manny goes to the local insurance office to borrow on her policy. Employees at the office mistake him for a hold-up man who robbed them the year before and the police are called. The film tells the true story of what happened to Manny and his family


Saboteur
When sabotage destroys part of an aircraft plant, plant worker Barry Kane is blamed for the crime falsely. Determined to clear his name, he sets out to track down the man he believes to be the actual saboteur, the mysterious Frank Fry. He chases Fry across the western deserts to New York, where he discovers a plot by a group of anti-American fascists, and the two men confront each other atop the Statue of Liberty.


Rebecca
A shy ladies' companion, staying in Monte Carlo with her stuffy employer, meets the wealthy Maxim de Winter. She and Max fall in love, marry and return to Manderlay, his large country estate in Cornwall. Max is still troubled by the death of his first wife, Rebecca, in a boating accident the year before. The second Mrs. de Winter clashes with the housekeeper, Mrs. Danvers, and discovers that Rebecca still has a strange hold on everyone at Manderlay.


Notorious
Following the conviction of her German father for treason against the U.S., Alicia Huberman takes to drink and men. She is approached by a government agent (T.R. Devlin) who asks her to spy on a group of her father's Nazi friends operating out of Rio de Janeiro. A romance develops between Alicia and Devlin, but she starts to get too involved in her work.

Bizarre Trailers: Cyclone (1978) The Amazons (1973) Gold Raiders (1983)

Cyclone (1978)
by René Cardona Jr! lol
An airplane goes down in the ocean during a storm and a few survivors find refuge on a small tour boat. Swept out to sea, these people slowly starve to death in the hot sun with barely any food or clean water. With no place to turn, the boat survivors resort to cannibalism to stay alive...that is ..until the rescue planes come to pick them up and the man eating sharks decide its time to eat as well. Written by alfiehitchie


The Amazons (1973)
Le Guerriere dal seno nudo.
Another bad movie trailer (which are fun!) with german subtitles.

Story revolves around tribe of amazons and the crowning of a new queen. Also deals with tribe's battle with male enemies. They meet once per year to allow for reproduction. All male children are supposedly killed at birth. Johnson and Sun vie for throne. Paluzzi plays the queen until new queen is crowned. Johnson defeats Sun in wrestling match ( topless ) to become new queen and later on they fight in the nude.


Gold Raiders (1983)
I love watching bad movie trailers lol, so here is one of them! with german subtitles...
A US plane carrying $200 million in gold is shot down in Thailand. Deployed to recover the gold is military-something-or-another-guy, Mark Banner who is teamed up with a beautiful-US-something, Cordelia as well as a couple human decency loving Thais. Together they are the secret army group code-named, The Gold Raiders. The evil Thai communist army, lead by a whip cracking commander complete with a wooden peg leg, gets word about the gold and the two parties race to find the downed plane. Out numbered ten to one to the Thai army, The Gold Raiders must rely on the wits of leader Mark Banner and, well, the militarys new secret weapon: a super-motorcycle that's protected by spaceship metal, flies, shoots rockets and, of course, has training wheels. After feirce battles with the communits and a large loss of life from both sides, Mark and company wonders about the price of war (?) after successfully recovering the gold but losing his "love" Cordelia.

Black Southern Cinema [African American movies history]

While black filmmakers were being largely ignored by the major Hollywood studios, there was a small but flourishing independent African-American cinema, particularly in the South from 1915 to 1945. Movies of Color features rare clips from some of these forgotten films, interspersed with commentary from film historians, showing the work of such important figures as Oscar Micheaux, Spencer Williams, and others who worked within tight budgets and under the most difficult circumstances to create a cinema of their own.


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Part 6:

An Introduction to Giallo Movies [Documentary about Horror Italian Genre called Giallo]

This is not really a true documentary but appears as an extra material on Death Walks at Midnight DVD. This is a short 17-minute documentary/interview about the giallo genre. Adrian Smith, who is the author of the excellent book Blood and Black Lace The Definitive Guide to Italian Sex and Horror Movies, guides us through many a giallo films (including Death Walks at Midnight). He provides a concise introduction to the genre and its various tropes plus an introduction to the film itself. Admittedly, this does waver towards the fanboy style of criticism but Smith is clearly a knowledgeable and infectiously enthusiastic guide.

Part 1


Part 2


Giallo:
(From Wikipedia)
Giallo (pronounced IPA: ['ʤallo], plural gialli) is an Italian 20th century genre of literature and film, which in Italian indicates crime fiction and mystery. In the English language, however, it is used in a broader meaning that is closer to the French fantastique genre, including elements of horror fiction and eroticism. The word giallo is Italian for "yellow" (see Wiktionary: giallo) and stems from the origin of the genre as a series of cheap paperback novels with trademark yellow covers.

The film genre that emerged from these novels in the 1960s began as literal adaptations of the books, but soon began taking advantage of modern cinematic techniques to create a unique genre which veered into horror and psychological thrilling. These films, particularly such 1970s classics by directors like Dario Argento or Mario Bava, are only defined as "gialli" in the English language usage of the term; they are not called such in Italy, where they are usually described as thrillers instead. This stems from the fact that in Italian the Argento and Bava movies were defined as "giallo-thrillers" or "giallo-horrors"; in the Italian tongue the coupling of the two words, meant as substantives, had to indicate the public the salient characteristics of the new genre where the search for a murder culprit (hence "giallo") was interspersed with shocking and grandguignolesque events (hence "thriller" and "horror"). English-speaking people, instead, following the use of their native grammar, took "giallo" as an adjective to "thriller" and "horror", hence appropriating the term in their own language while being only partially aware of its broader meaning in Italian.

"Giallo" films are characterized by extended murder sequences featuring excessive bloodletting, stylish camerawork and unusual musical arrangements. The literary whodunit element is retained, but combined with modern slasher horror, while being filtered through Italy's longstanding tradition of opera and staged grand guignol drama. They also generally include liberal amounts of nudity and sex.

Gialli typically introduce strong psychological themes of madness, alienation, and paranoia. For example, Sergio Martino's Your Vice Is a Locked Room and Only I Have the Key (also known as Eye of the Black Cat) was explicitly based on Edgar Allan Poe's short story "The Black Cat".

They remain notable in part for their expressive use of music, most notably by Dario Argento's collaborations with Ennio Morricone and his musical director Bruno Nicolai, and later with the band Goblin.

As well as the literary giallo tradition, the films were also initially influenced by the German "Krimi" phenomenon - originally black and white films of the 1960s that were based on Edgar Wallace stories.

The first film that created the giallo as a cinema genre is La ragazza che sapeva troppo (The Girl Who Knew Too Much) (1963), from Mario Bava. Its title referred to Alfred Hitchcock's famous The Man Who Knew Too Much (1956), again establishing strong links with Anglo-American culture. In Mario Bava's 1964 film, Blood and Black Lace, the emblematic element of the giallo was introduced: the masked murderer with a shiny weapon in his black leather gloved hand.[2]

Soon the giallo became a genre of its own, with its own rules and with a typical Italian flavour: adding additional layers of intense colour and style. The term giallo finally became synonymous with a heavy, theatrical, and stylised visual element.

The genre had its heyday in the 1970s, with dozens of Italian giallo films released. The most notable directors who worked in the genre were Dario Argento, Mario Bava, Lucio Fulci, Aldo Lado, Sergio Martino, Umberto Lenzi, and Pupi Avati.

Although often based around crime and detective work, Gialli should not be confused with the other popular Italian crime genre of the 1970's, the Poliziotteschi, which refers to 'tough-cop', action-oriented films. Directors and stars often moved between both genres, and some films could be considered under either banner, such as Massimo Dallamano's 1974 film What have they done to your daughters?

In Italy, in Tuscany, there are many new authors as: Graziano Braschi, Giampaolo Simi, Mario Spezi, Leonardo Gori, Divier Nelli, Parigi & Sozzi, Riccardo Cardellicchio, Linda Di Martino and others.